Posts tagged writers

Middle age is when you’re sitting at home on a Saturday night and the telephone rings and you hope it isn’t for you.

“Kurt Vonnegut On The Shape Of Stories”

It’s all about the science. (via)

This reminded me of a post at Kottke.org from last year: “Kurt Vonnegut’s Advice To Young Writers.”

Guardian: Key Workers – Writers And Their Typewriters – In Pictures

Brings back fond memories of mechanical/electrical word companions of years gone by. I’m sure my last electronic Smith-Corona is still pissed, twenty years later, about its dusty closet digs. But that’s progress.

Honestly, since the advent of the word processor/computer, I have no idea how I could use a typewriter now. Sure, I miss the tactile response and the aural feedback (there are apps for that, by the way), but editing is too important a part of the writing process to leave to inefficient correcting ribbons and erasers. The virtual effortlessness of computer-based revision on the fly, without derailing the creative train, is more valuable than the nostalgia.

William Faulkner works on a screenplay on a balcony, Hollywood in the early 1940s. Photograph: Alfred Eriss/Time & Life Pictures/Getty Images
William Faulkner works on a screenplay on a balcony, Hollywood in the early 1940s. (Photo: Alfred Eriss/Time & Life Pictures/Getty Images)

John Cheever at his home in Ossining, New York in 1979. Photograph: Paul Hosefros/Getty Images
John Cheever at his home in Ossining, New York in 1979. (Photo: Paul Hosefros/Getty Images)

Patricia Highsmith at home in the village of Moncourt, near Fontainebleau, in 1976.Photograph: Jacques Pavlovsky/Sygma/Corbis
Patricia Highsmith at home in the village of Moncourt, near Fontainebleau, in 1976. (Photo: Jacques Pavlovsky/Sygma/Corbis)

Forget every rule Syd Field, Robert McKee or any other screenwriting guru ever taught you. Except one: Never be boring.

Cleveland Plain Dealer: Harvey Pekar, Cleveland Comic-Book Legend, Dies At Age 70

I’m a guy that likes to sit in one place - Harvey Pekar

Harvey Pekar's comic-book masterpiece, "American Splendor" Issue #1 (1976) cover
American Splendor #1 (1976) - Welcome to everyday life.

“People Who Eat In Coffee Shops”

by Edward Field


People who eat in coffee shops
are not worried about nutrition.
They order the toasted cheese sandwiches blithely,
followed by chocolate egg creams and plaster of paris
wedges of lemon meringue pie.
They don’t have parental, dental, or medical figures hovering
full of warnings, or whip out dental floss immediately.
They can live in furnished rooms and whenever they want
go out and eat glazed donuts along with innumerable coffees,
dousing their cigarettes in sloppy saucers.

© Edward Field, from Counting Myself Lucky: Selected Poems 1963-1992, Black Sparrow Press, 1992. (via)

If a person saying he was something was all there was to it, this country’d be full of rich men and good-looking women. Kings and queens… you know what I mean? Too bad it isn’t that easy. In short, when someone else says you’re a writer, that’s when you’re a writer… not before.

Howard Pike, from “Hearts of the West” (1975)

First heard this quote from über-writer Harlan Ellison during the documentary “Dreams With Sharp Teeth” (2008), where he discusses the moment when Dorothy Parker acknowledged his abilities as a writer.

Turner Classic Movies ran Hearts this past weekend. Had never seen it. Always great to experience the source material first-hand.

Where I Write (dot org)

Fantasy & Science Fiction Authors In Their Creative Spaces

Photographer Kyle Casey’s lens journey into the inner sanctum of note pads, word processors, typewriters and works in progress.

Photograph of Science Fiction Author Samuel R. "Chip" Delaney in his office. Photo by Kyle Casey.
Author Samuel R. “Chip” Delaney (Photo © Kyle Casey)

My hardcore sci-fi phase didn’t last long (Ray Bradbury’s short stories are timeless, however), but Dhalgren was a long-form favorite back in the day.

“The Murder Suspect, Moments Before He Is Confronted By Police”

by David Starkey


He sits in the driver’s seat of a borrowed
Corolla, Red Sox cap tilted low over
his anguished face. Across the street, two cops
huddle together, whispering, gesturing
once in his direction—yet he can’t find
the will to turn the key and pull away.
In the passenger seat, a Styrofoam
container of half-eaten beef chow mein,
cold rice stuck to the tines of a plastic fork.
The backseat is piled high with clothes.
In the glovebox, a loaded .38
snubby and half a box of cartridges.
He cracks the window to better hear the swish
of willow branches in the November wind.
There’s a gingery taste on his mustache,
and he wipes it with his sleeve as a blast
of heavy metal erupts from a pickup
rumbling down the street. His fingertips
tingle—probably with cold, possibly
from something else. There’s a needling twinge
above his heart, a flash of memory:
purple blouse, a braid of golden hair, a splash
of crimson on gray tile. The cops begin
to saunter over. Then, as he reaches
down, fumbling for his pistol, they run
toward him, guns drawn, shouting out his name.

© David Starkey, from A Few Things You Should Know About the Weasel, Biblioasis, 2010. (via)

Planning to write is not writing. Outlining, researching, talking to people about what you’re doing, none of that is writing. Writing is writing.